BEFORE you get ahead of yourself with your clever observations, Steven Soderbergh got there first.
Pre-empting the avalanche of comparisons between Logan Lucky (a low-tech heist movie without any fancy people) and Ocean’s Eleven,
Soderbergh brazenly calls it out first. Ocean’s Eleven,
Hillbilly-style, they say in the film. Or, more accurately, Ocean’s Six,
Hillbilly-style
The director of Ocean’s Eleven, Sex, Lies and Videotapes and Erin Brockovich had technically retired after 2013 HBO movie Behind the Candelabra, but he couldn’t resist coming back.
Thank god he did with Logan Lucky because this crime caper is a lot of fun.
Set
in bumpkinsville, West Virginia, the Logan siblings have always been
dogged by what’s been termed the family curse. Jimmy (Channing Tatum)
was a promising footballer destined for the big leagues until he blew
out his knee while Clyde (Adam Driver) lost his forearm fighting in
Iraq.
Jimmy is laid off from his mining gig when someone from
corporate spots his limp (too much liability for the company’s health
insurance) and his ex-wife tells him she’s moving his young daughter
across the border interstate.
But Jimmy has a plan to turn it
around with a heist, governed by 10 rules, including “Don’t get greedy”,
“Know when to walk away” and “Sh*t happens”.
The brothers, together with sister Mellie (Riley Keogh), recruits
bomb expert Joe Bang (Daniel Craig) who’s still in prison — of course,
the Logans insist that won’t be an impediment.
The target? A
nearby racetrack hosting NASCAR races, the whitest of American sports,
and one that deals with a lot of small cash. The plan could be described
as a MacGyver heist involving rubber bands, elbow grease and a little
cunning.
These are people that are but shouldn’t be underestimated — “simple”
folk trying to make a go of it and being constantly beaten back by the
system. There are no slick Clooney-clad tuxedos here, the glitz of
high-end casinos or even a smartphone. There is certainly not a $160
million pot of gold.
What there is are John Denver songs, Bob
Seger references and perverse children’s beauty pageants. But above all,
there is heart.
The story here is clean and the characters very charming, and it
doesn’t fall into the trap of being smugly pleased with itself by
overcomplicating matters (ahem, Ocean’s Twelve).
Craig
looks like he’s having a lot more fun than his usual serious, sometimes
sullen, persona. There is also a lot of funny involving Seth MacFarlane
as the British arsehole owner of an energy drink, and a prison riot
demand for unreleased Game of Thrones books.
Tatum, who’s
shown a lot more range than his first performances hinted at, is pitch
perfect as the kind-hearted and undervalued Jimmy while Driver has yet
to put a foot wrong in any role he’s taken on (well, maybe Kylo Ren
depending on who you speak to).
Soderbergh is a director who has suffered from inconsistency in his long career but Logan Lucky
is the perfect project for his comeback. This is his wheelhouse and
even though it follows the formula, it still has some surprises in
store.
Logan Lucky is in cinemas from Thursday, August 17.
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